Tanzfabrik
Berlin
School
School
School
School
Kreuzberg 3
Möckernstr. 68
10965 Berlin
School
School

Practicing Playful Thinking Together #5

Thinking with Jasmina Založnik, Slavcho Dimitrov, Rok Vevar
In the frame of TO KEEP IN TOUCH ...

How To Write Collectively?

Writing, traditionally, is a lonely craft, and writers often describe their experience of writing as solipsistic. Like Contact Improvisation, collective writing is about giving and receiving, stepping out of oneself by reading and interacting with the cues, impulses, and reactions of another, or multiple others Rather than externalising and recording the sum of two or more voices or points of view, collective writing allows for a profoundly relational, intersubjective space between multiple subjects to develop; an new, unancored thought, in a sense. In this session, via a series of exercises, we will practice the craft of collaborative writing to produce thoughtful, symphonic feedback on the summer school program.  

Jasmina Založnik

Jasmina Založnik is a freelance dramaturg, dance publicist and producer. She is active locally and internationally as a writer, dramaturge, curator, moderator, consultor, researcher, and art collaborator. She is an active member of Nomad Dance Academy Slovenia, regional network Nomad Dance Academy, and a cofounder of CoFestival, international festival of contemporary dance. She is an active member of The Contemporary Dance Association Slovenia (CDAS), Slovenian Association of Theatre Critics and Theatrologist and City of Women association, as well as member of the editorial board of Dialogi Journal. She has edited a number of art catalogues and a few journals’ special issues, lately co edited The Voice of Dance (Maska, 2021), and Female artists in the field of performing art (Dialogi, 2022). She holds a master’s degree in philosophy and PhD in visual culture. In 2015 she received the Ksenija Hribar Award for dance in the category criticism/dramaturgy/theory. 

Slavcho Dimitrov

Slavcho Dimitrov holds a BA in Comparative Literature and MA's in Gender Studies and Philosophy and is currently working on his PhD thesis “An-archic Bodies: Corporeal Materialism, Affects and the Political''. He has been active in teaching, where he has taught courses on contemporary cultural theories, critical theory, embodiment, gender and culture, queer theory, among others. He is the founder of the International Summer School for Sexualities Cultures and Politics in Belgrade and one of the founders of IPAK.Center - Research Center for Identities, Cultures and Politics in Belgrade and has curated several art and cultural projects and numerous conferences in Northern Macedonia, such as Skopje Pride Weekend. Numerous articles of his have appeared in regional and international journals and books, and he is the author of the book “Impossible Confession: Subjectivity, Power and Ethics” (2014). His theoretical and research practice focuses on post-foundational political philosophy, cultural, critical and gender and queer theory, embodiment and affect, aesthetics, social choreography, and performance studies. In 2022, he published a joint research paper with Ana Blazeva entitled "The Everyday and Emotional Life of Oppression." He is a recipient of the AICA Macedonia - Ladislav Leshnikov Award - 2018 and the Igor Zabel Award for Culture and Theory - Grant - 2020. 

Rok Vevar

Rok Vevar is a dance historian, curator and activist, living and working in Ljubljana, Slovenia. In 2012 he established the Temporary Slovenian Dance Archives in his own apartment, moving it to MSUM (Museum of Contemporary Art Metelkova) in Ljubljana in April 2018. He has also presented his archive at Harvard University, USA. Since 2012 he has co-curated the international dance festival CoFestival, an international festival of contemporary dance (Nomad Dance Academy Slovenija, Kino Šiška) in Ljubljana. A selection of his reviews and articles was published in the book “Rok za oddajo” (Deadline) in 2011, and in 2018 he edited the book “Dan, noč + človek = Ritem: Antologija slovenske sodobnoplesne publicistike 1918–1960” (Day, night + man = Rhythm: An Anthology of Contemporary Slovene Journalism 1918-1960), for which he selected materials and wrote accompanying texts. In 2020, his new monograph “Ksenija, Xenia: Londonska plesna leta Ksenije Hribar 1960–1978” (Ksenija, Xenia: The London Dance Years of Ksenija Hribar 1960-1978) was published. In 2019 he was awarded the Ksenija Hribar Award for his work and in 2020 the Vladimir Kralj Recognition Award for his achievements in the field of dance history and archivism in Slovenia. 
Open
In English
Price: Single Session 15€ / 5x-Card Afternoon Sessions 65€ / Flatrate Summer School 105€
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