Igor Dobričić, studied dramaturgy at the Academy of Dramatic Arts in Belgrade, (former) Yugoslavia and attended a Master of Theatre at DasArts in Amsterdam, Netherlands. He shares his life between Berlin and Amsterdam and is working internationally as a dramaturg and artistic advisor, collaborating with several choreographers/makers (Nicole Beutler, Keren Levi, Christina Ciupke, Alma Sodeberg, Meg Stuart, Arkadi Zaides a/o). In a role of a professor and mentor he has a long-term engagement with the School for New Dance (SNDO) in Amsterdam and K3 Choreographic Center in Hamburg. From 2010 onwards he is also developing his own performative research project under the title TableTalks. During the last 7 years TableTalks is hosted and presented in a number of different cultural contexts : from Amsterdam to Stockholm, Cairo, Sao Paulo and Vienna. 

Rabih Mroué, born in Beirut and lives in Berlin, is a theatre director, actor, visual artist and playwright.  He was a fellow at The International Research Center: Interweaving Performance FU/Berlin since 2013-2014. His works include: Hartakāt (2023), Sunny Sunday (2020), Borborygmus (2019), So Little time (2016), Ode to Joy (2015), Riding on a cloud, (2013), 33 RPM and a Few Seconds (2012), The Inhabitants of images (2008), Who’s Afraid of Representation (2005), looking for a missing employee (2003) and others.

Prof. Dr Ana Vujanović (Berlin / Belgrade) is a cultural worker: researcher, dramaturge, writer, lecturer. She is focused on bringing together critical theory and contemporary art, while exploring feminist storytelling, ecofeminism, and resistance to fascism. She graduated from the University of Arts in Belgrade; holds Ph.D. in Theatre Studies and post-graduate diploma in Culture and Gender Studies. She has lectured at various universities; currently, she is a core team member and mentor at SNDO, University of the Arts Amsterdam, and a professor of theory at HZT, University of the Arts Berlin. She was a member of TkH [Walking Theory], a Belgrade-based theoretical-artistic platform, and editor of the TkH Journal for Performing Arts Theory (2000-17). As a dramaturge or co-author, she participates in numerous performances and videos/films; most recently documentary film Landscapes of Resistance (2021) dir. by M. Popivoda. She has published a number of articles and several books, most recently "A Live Gathering: Performance and Politics in Contemporary Europe", ed. with L. Piazza (Berlin, 2019) and "Toward a Transindividual Self. A study in social dramaturgy", with B. Cvejic (Berlin, 2022).

Marwa Arsanios is an artist and a researcher. Her practice tackles structural and infrastructural questions using different devices, forms and strategies. From architectural spaces, their transformation and adaptability throughout conflict, to artist-run spaces and temporary conventions between feminist communes and cooperatives, her practice tends to make space within and parallel to existing art structures allowing experimentation with different kinds of politics. Film becomes another form and a space for connecting struggles in the way images refer to each other. She is currently a PhD candidate at the Akademie der bildenden Künste in Vienna.