Healers
Tanzperformance von PUBLIC IN PRIVATE - Jasna L. Vinovrški
by
Jasna L. Vinovrški
In the frame of Open Spaces - How to get in Touch with…
The "Healers" team is on a mission to detect and remove the problems, unresolved issues, emotional and energetic stagnations that might have been accumulating in the walls of the space where this performance takes place. In this case, Studio 1 at the premises of Uferstudios is under close examination: What history has this place, and how does it cope with its current function of the theater/performance space?
In this choreographic endeavor, by combining fiction with historical-documentary elements, the ground for subtle humor is being created, that is an artistic gesture with which the desire for different visions and imaginations of the world we live in is called upon.
In this choreographic endeavor, by combining fiction with historical-documentary elements, the ground for subtle humor is being created, that is an artistic gesture with which the desire for different visions and imaginations of the world we live in is called upon.
Jasna L. Vinovrški
Jasna L. Vinovrški works as a performer, choreographer and curator. She grew up in Zagreb and has lived and worked abroad since the disintegration of Yugoslavia. After moving to Berlin in 2008, she founded Public in Private with her partner Clément Layes. Within this company context, the two artists continue to develop separate choreographic signatures to this day, but support each other in close artistic supervision. www.publicinprivate.com.
In 2012 Jasna received her MA degree in choreography at the Hochschulübergreifendes Zentrum Tanz Berlin (HZT). She is particularly committed to creating alternative platforms for Berlin-based artists, especially from the dance and performance fields. From 2014 to 2017, Jasna co-hosted and organized a platform for experimental art at Atelierhaus am Flutgraben called 3AM. From 2019-2020, she was co-curator of the Montag Modus Klimata event series at Collegium Hungaricum Berlin and Atelierhaus Flutgraben. Since 2019 Jasna is co-organizer of the artist platform Flutgraben Performances. Last but not least, she is a mother to her two children Calissa (12) and Alva (2). www.jasnavinovrski.com
In 2012 Jasna received her MA degree in choreography at the Hochschulübergreifendes Zentrum Tanz Berlin (HZT). She is particularly committed to creating alternative platforms for Berlin-based artists, especially from the dance and performance fields. From 2014 to 2017, Jasna co-hosted and organized a platform for experimental art at Atelierhaus am Flutgraben called 3AM. From 2019-2020, she was co-curator of the Montag Modus Klimata event series at Collegium Hungaricum Berlin and Atelierhaus Flutgraben. Since 2019 Jasna is co-organizer of the artist platform Flutgraben Performances. Last but not least, she is a mother to her two children Calissa (12) and Alva (2). www.jasnavinovrski.com
Concept, Choreography, Performance: Jasna L. Vinovrški | Performance: Cécile Bally (Berlin), Darko Dragičević (Berlin), Ana Vnučec (Zagreb), Branko Banković (Zagreb), Martina Tomić (Zagreb) | Light design: Catalina Fernandez | Stage design: Clément Layes | Costume: Malena Modeer | Production: Joseph Wegmann, Valerie Terwei | Press: Lea-Maria Kneisel.
A production by Public in Private / Jasna L. Vinovrški | Funded by the Berlin Senatsverwaltung for Culture and Europe, the Croatian Ministry of Culture and the City of Zagreb | In coproduction with Tanzfabrik Berlin and Studio za suvremeni ples / Studio – Contemporary Dance Company Zagreb.
Due to the corona crisis, the collaboration couldn't take place as planned and the work had to be adaptated to a smaller form of a trio that will be performed by two different casts from Berlin and from Zagreb.
A production by Public in Private / Jasna L. Vinovrški | Funded by the Berlin Senatsverwaltung for Culture and Europe, the Croatian Ministry of Culture and the City of Zagreb | In coproduction with Tanzfabrik Berlin and Studio za suvremeni ples / Studio – Contemporary Dance Company Zagreb.
Due to the corona crisis, the collaboration couldn't take place as planned and the work had to be adaptated to a smaller form of a trio that will be performed by two different casts from Berlin and from Zagreb.
