Tanzfabrik
Berlin
Stage
Stage
Stage
Stage
Uferstudios 4
Badstr. 41A, Uferstr. 23
13357 Berlin
Stage
Stage
Selin Davasse, Photo: Kubilay Kaan Mehan | Joannie Baumgärtner, Photo: Tilman Bechthold

Open Studio

Residency@Tanzfabrik by Joannie Baumgärtner, Selin Davasse
In the frame of The Last Open Spaces?

Tickets ↪  here

Joannie Baumgärtner

Fuck Moon, Bless Clouds

Fuck Moon, Bless Clouds is inspired by the historical nocturnal activity of so-called link-boys*: Guttersnipes who worked as torchbearers in the early modern era, guiding their clients through dark streets. Notorious for their teddy to ambush unwary clients, and with a reputation for providing sex work for all genders, they function as a symbol of an ambivalent and ephemeral form of community that is out of sync with the moral code of their time. Playfully employing a contemporary understanding of orientation, visibility, and solidarity, the production transform the language, actions and aesthetics surrounding the link-boys* into a performative engagement with the aesthetic sociality of these pariahs.

Selin Davasse

Multiplicity of Asia Minor (MAM)

Multiplicity of Asia Minor (MAM) is a political speech delivered in a speculative near future where a deterritorialized, indefinable and unpredictable multi-species community enjoys autonomy in Asia Minor. The performance borrows its durational format from Atatürk’s 36-hour-long “Great Speech” which still serves as the basis of Turkey’s historiography. Warping this “founding father gesture” into a cooperative, hospitable and self-effacing “surrogate mother gesture” the performer (MAMMY) narrates, fabulates and contaminates regional mythologies in a polyphonic, pluralistic and heterogenous manner. Renouncing the didacticism inherent to public speech acts, MAMMY welcomes audience members in small groups to each experience an interactive performance shaped around intra-uterine life, where communication relies on warmth, tactility and sound.

Joannie Baumgärtner

Joannie Baumgärtners multidisciplinary, research-based practice combines performance with installation, media-based processes, theoretical writing and poetry. Baumgärtners approach to spatial or temporal concerns and their use of movement or other forms of expression relies on disorientation as a method and the activation of hidden transversal connections that flow through disciplines, subject matters and historic events. Baumgärtner holds an MA from the Dutch Art Institute, Arnhem. They also studied sculpting, scenography, art theory and education at AdBK Nuremberg and HfG Karlsruhe. Since 2012 they have performed and exhibited mostly within Germany and the EU, while their writing has been published in collective publications and artists monographs.

Selin Davasse

Selin Davasse (b. 1992, Ankara) lives and works in Berlin. Her research-based performance practice repurposes disparate literary and performative techniques to engage with ethics and politics from alternative presents and speculative futures. Composed of narrative and sonic textures, her work condenses systems of thought into intimate feminine expressions; and takes shape as spoken-and-sung performances with participatory, playful and parodic layers forming heterogenous hospitable relations with the audience. Her works have been presented at Rokolectiv Festival, Bucharest (2021); “School of Waters” MEDITERRANEA 19 Young Artists Biennale, San Marino (2021); Volksbühne, Berlin (2020-2021); Slavs and Tatars’ Pickle Bar at KW Institute for Contemporary Art, Berlin (2020); “Queer Art, Culture and Politics from Turkey and its Diaspora Symposium” at Goldsmiths College, London (2020); 3hd Festival, Berlin (2018); Schwules Museum, Berlin (2015) among others. She is a member of The Society for Matriarchal World Domination whose collective works are in the collection of Kunstbibliothek der Staatlichen Museen von Berlin (2019) and a recipient of the Centrale Fies Live Works 9 fellowship, Trento (2021–2022). She co-organizes GLASSHOUSE — an artist-run virtual platform for hybrid performance.
Admission free
Tickets ↪  here
In the frame of LIVE WORK FELLOWS 2021-2022.
Initiated in 2013, Live Works is a platform dedicated to live contemporary practices that contribute to deepening and broadening the idea of performance, following the current evolution of performance and its styles. Live Works offers annual fellowships to 6 artists selected via Open Call every year and includes different creative residency periods at Centrale Fies and in partner institutions at an international level. Live Works sees performance as a work space, and as an instrument and cultural exercise. Starting from the notion of performance in the visual art practice, the project is unique in its particular attention to hybrid research, underlining the openness and fluidity of performance, its social and political implications and its level of public understandability. 
The performances are funded by Centrale Fies, Dro (It).